关键词: 小津安二郎 生来第一次看到 生来才遇到 I Was Born But... Otona no miru ehon - Umarete wa mita keredo Umarete wa mita keredo 剧情 喜剧
乐影为您提供1932年由斋藤达雄,青木富夫,吉川满子,菅原秀雄,坂本武,Teruyo Hayami,加藤精一,小藤田正一,西村青儿,笠智众,野村秋生,叶山正雄主演,小津安二郎导演的《我出生了,但……》/原名《大人の見る絵本 生れてはみたけれど》/又名《生来第一次看到 / 生来才遇到 / I Was Born, But... / Otona no miru ehon - Umarete wa mita keredo / Umarete wa mita keredo》剧情,喜剧电影在线观看完整版,《我出生了,但……》百度云网盘资源以及《我出生了,但……》高清蓝光mp4迅雷下载,《我出生了,但……》BT下载资源,希望您能喜欢!
小职员搬到城郊,岂料山雨欲来,大人与小孩世界各自上演不同的权力游戏。新来的一双小兄弟给小邻居欺负得眼泪涟涟,后来借用别人的武力做了小霸王。小兄弟目睹窝囊的父亲扮小丑取悦老板,气上心头骂了父亲一顿,然后绝食抗议。暖热饭团最后送到两张小嘴里,一家人和气收场,小孩上了生命「宝贵的」头一课。大人虚伪,莫非真的有道理?剧本原来写大儿子离家出走,小津大笔一改,他那些放任的少年从此亦离我们而去。导演:小津安二郎
主演:斋藤达雄 青木富夫 吉川满子 菅原秀雄 坂本武 Teruyo Hayami 加藤精一 小藤田正一 西村青儿 笠智众 野村秋生 叶山正雄
又名:生来第一次看到 / 生来才遇到 / I Was Born, But... / Otona no miru ehon - Umarete wa mita keredo / Umarete wa mita keredo
Plot Summary:The Yoshi family - husband and wife Kennesuke and Haha, a middle manager at an office and a housewife respectively, and their two adolescent sons Keiji and Ryoichi - have just moved from the inner city to the suburbs of Tokyo, into the same neighborhood where Kennesuke's boss, Iwasaki, and his family live. The boys get off to a rocky start in their new neighborhood as they end up being bullied by a group of similarly aged boys, led by slightly bigger Kamekichi. Keiji and Ryoichi even secretly play hooky from school, not wanting to have to confront the bullies. After befriending Kozou, the older delivery boy at the local store who ends up being their protector of sorts, Keiji and Ryoichi are able to stand up to their tormentors to become the ones among the boys who call the shots. Their newfound pride takes a hit when they end up being at the same social gathering as their father and his coworkers at Iwasaki's house, and see that their father is a proverbial apple-polisher toward Iwasaki and not the important man they previously believed him to be. Kennesuke knows how his behavior looks to his sons, but justifies it to himself by probably being further ahead in life than they would be otherwise. The Yoshis will have to reconcile these two issues for harmony to return within their family.
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太精彩了,父母对孩子天真烂漫胡闹的凝视催人泪下,孩子看不见父母真正的伟大,因为他们已经含着泪入睡。母亲盛饭时碗中露出两个鸡蛋的细节也让人感受到儿童片中浓浓的爱意。小津喜八三部曲的轻快甚至是参杂着最低俗的屎屁尿笑话,但是也玩的如此高级。斋藤达雄的喜剧表演致敬卓别林,太精彩了
日式成长的烦恼,一盘饭团解决的处世尖酸。知道强者自有他人,就有了谦卑的为人谦让规则。正如毛笔字上那个弄巧成拙写上去的“申”:多了那么一点就差池许多。默片时代,音画同步;言简意赅,声色尔尔。藏在盒子里的麻雀蛋,换回了一场“斑马是黑底白纹还是白底黑纹”的争论;我出生了,日子还在继续…
小津的默片好欢乐!镜头在移动!典型的办公室-家-学校三点一线。这俩活宝太逗了,“我们喜欢上学也喜欢放学,就是不喜欢中间的过程”,“斑马是黑底白纹还是白底黑纹”,“我只能当中将,因为他要当大将”。①父亲形象的质疑和重建②倒下-祈祷-复生的游戏③小孩群架,弟弟的招牌式“见面就脱木屐”
早期的小津原来也是那么幽默,剧情那么丰富,虽然看似和后面的作品风格迥异,但实际上,“淡淡的忧伤”已经有了影子,少儿的无忧无虑和父亲的忧愁万千。这部默片充满了童年的回忆,不管从哪一方面都丝毫不亚于卓别林等一些默片大师的功力。
小津本想拍部热热闹闹的孩子戏,结果调子变得沉郁,观众对象还变了大人。讲的就是父亲高达权威的形象在小孩眼里受到了挑战,产生了落差。这种事情可能在我们很多人的童年里都出现,因此会觉得这部电影很亲切。不过这个老大确实有点无理取闹,就该打。除此之外,片中一些小细节产生的喜剧感还是不错的。
并不觉得有多么多么经典,成人世界的游戏规则和小孩子实在不同(想起小时候的争霸故事,小孩子也都是纸老虎嘛)、熊孩子们捡到一分钱交给警察叔叔、父亲形象的衰落带给子女小小信仰的崩塌,勾起儿时回忆不假,联想起题目,能够思考的空间蛮大。ps:教室里挂的“爆蛋三勇士”的牌匾,哈哈。
9分。第一次看日本的默片,还是抗战发生前的。两个小P孩太搞笑了,叫人写“甲”却写了个“申”,被大男孩欺负,叫人揍回来,各种童真啊。另这片的钢琴配乐和美国的管弦配乐相比,别有味道。