乐影为您提供2000年由珍妮·特里普里霍恩,斯特兰·斯卡斯加德,萨尔玛·海耶克,萨弗蓉·布罗斯,莱斯利·曼恩,祖雷克哈·罗宾逊,斯蒂文·韦伯,米娅·麦斯特罗,凯尔·麦克拉克伦主演,迈克·菲吉斯导演的《时间编码》/原名《Timecode》/又名《时间密码》剧情电影在线观看完整版,《时间编码》百度云网盘资源以及《时间编码》高清蓝光mp4迅雷下载,《时间编码》BT下载资源,希望您能喜欢!
一个是喜欢沾花惹草的电影制片人,一个是他充满不安全感的妻子,一个是为了在演艺界出人头地不惜和制片人乱搞的女演员,一个是心怀嫉妒、忽然萌生杀机的女演员的女友,再加上一个作品诡异、记录他人暴毙的冷漠艺术家,这群人终于因为命运的安排而相逢,构成了一个关于一段孽缘、一宗谋杀案和一个好莱坞不为人知的故事……导演:迈克·菲吉斯
主演:珍妮·特里普里霍恩 斯特兰·斯卡斯加德 萨尔玛·海耶克 萨弗蓉·布罗斯 莱斯利·曼恩 祖雷克哈·罗宾逊 斯蒂文·韦伯 米娅·麦斯特罗 凯尔·麦克拉克伦
又名:时间密码
Plot Summary:The primary story with this movie is that it is shown in four simultaneously filmed ninety-three minute single shot takes (in other words, shown in four quadrants), with the actual plot secondary. The four cameras follow the players involved, with two or more of the four cameras sometimes filming the exact same scene from different angles and thus different perspectives. The audio on each of the four quadrants is turned up and down based on which quadrant(s) the viewer should pay most attention to at any given time. The actual plot, which takes place in Hollywood, involves the pre-production by Red Mullet Productions for the movie "Bitch from Louisiana". The production team is in an executive meeting to discuss several aspects of the movie, including problems with one of their own, Alex Green, who has been missing in action from much of the production and this meeting. Alex's problems stem from his substance abuse and philandering, his wife Emma who is contemplating leaving him, of which he is unaware. Lester Moore, the movie's director, is also causing the producers some concern as they believe he again is using drugs against company policy. The production team is also talking about casting the role of "The Bitch". One actress who wants to audition is Rose, who is having an affair with Alex as a foot in the door. Rose does not officially have an audition, although she tells her controlling lover, Lauren, that's why she is going to Red Mullet's office, while she really is meeting with Alex for a tryst. Lauren, however, believes that Rose is indeed cheating on her. Through it all, Quentin, a masseuse, is present giving free massages as a means to gain Red Mullet as a corporate client. Their goings-on come to a head during a pitch meeting by visiting European actress, Ana Pauls, who is accompanied by her agent, Bunny Drysdale, and her musician boyfriend, Joey Z.
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实验性很强
叫Anna的导演出场以后故事才开始变得真正有趣了,这种形式的电影首先需要一个渐进的「学习观看」的过程,一开始看会觉得很混乱,但熟悉了这种安排后就会开始适应节奏,而且通过同时性的展现(比如地震、吸烟、愤怒的眼神等)及时将「走神」的观众拉回故事,摸清故事走向。
全片双屏或多屏大都有的一个问题是,大多时间的画面拖沓单薄。因为多屏需要把画面信息分布在每个画面里,那当某一个画面与单屏画面有同样密度的信息时,另一个画面势必枯燥重复(走路、待坐、展示某种单一情绪)。目前看到最好的是《姐妹情仇》,只有片段双屏,且给了双屏的视点来源,在两个视点汇合时产生了迷宫般的走廊调度,与悬疑类型高度熨帖。短片里,关天的《捉迷藏》目前看到最好,也是片段多屏,多屏的信息用对称打薄,但情感浓度高,单屏部分的摄影机视点精准,还给多屏留了位置,设计非常精巧。
两对平行的恋人,一对由恩爱走向分离,一对由分离走向恩爱,但最后的结局都是毁灭。四个长镜头同时播放,开始杂乱不堪,半小时后渐入佳境,但是对观众的注意力来说还是极大的挑战。导演的意图在安娜的口中已经昭然若揭了。形式上确实是极大的创新,但内核略微空虚,还是中产阶级无病呻吟生活崩溃那一套。
怀疑林奇是受这部启发拍了《穆赫兰道》,迷幻效果是一样的
配乐是导演自己搞的?!
为形式